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		<title>Wild Goose Poetry Review, Fall 2011, 100 Thousand Poets for Change Issue</title>
		<link>http://wildgoosepoetryreview.wordpress.com/2011/11/10/wild-goose-poetry-review-fall-2011-100-thousand-poets-for-change-issue/</link>
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		<pubDate>Thu, 10 Nov 2011 02:29:28 +0000</pubDate>
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		<description><![CDATA[Wild Goose Poetry Review Fall 2011 100 Thousand Poets for Change Special Issue On September 24, 2011, more than 700 poetry events centered on the theme of &#8220;change&#8221; were held in over 550 cities and 95 countries. This groundbreaking, internationally-coordinated poetry initiative was called &#8220;100 Thousand Poets for Change&#8221; and was the brainchild of Michael [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=wildgoosepoetryreview.wordpress.com&amp;blog=8889023&amp;post=1099&amp;subd=wildgoosepoetryreview&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Wild Goose Poetry Review<br />
Fall 2011</p>
<p><strong>100 Thousand Poets for Change Special Issue</strong></p>
<p>On September 24, 2011, more than 700 poetry events centered on the theme of &#8220;change&#8221; were held in over 550 cities and 95 countries.  This groundbreaking, internationally-coordinated poetry initiative was called &#8220;100 Thousand Poets for Change&#8221; and was the brainchild of Michael Rothenberg and Terri Carrion, both of Big Bridge Press.    </p>
<p>The purpose behind the initiative was simply to promote meaningful social and political change.  The exact definition of that change was left to the discretion of local organizers.  The event in Hickory, NC, for example, which featured 21 readers and another 2 dozen audience members, included poems on tolerance, diversity, peace, and sustainability.</p>
<p>NC as a whole was one of the most active communities in the initiative with at least 25 events in 21 cities and well over 100 participants. With the prompting and assistance of Joseph Bathanti, Kathryn Kirkpatrick, and Richard Krawiec, many of the poems highlighted at NC events were also sent to state legislators. </p>
<p>To help these important poems and this vital initiative reach an even broader audience, this issue of Wild Goose Poetry Review consists entirely of poems read at some of those 25 events in NC.  These poems are published without the usual bios and commentaries so that readers can focus entirely on the poems and their social and political contexts.  As always, of course, comments from readers are welcome. In fact, in the interest of political dialogue, they are encouraged more for this issue than for any other. You are also encouraged to subscribe to the comments or to check back frequently to fully participate in the continuing discussion.  </p>
<p>Wild Goose will return to its usual format with the Winter 2012 issue, due out in mid-February.  Submissions for that issue are being read now and will continue until the end of January.  Follow-up 100 Thousand Poets for Change events have already been scheduled for September 2012 with the official date for next year set for September 29.  More information on upcoming and past events can be found at <a href="http://www.bigbridge.org/100thousandpoetsforchange/">http://www.bigbridge.org/100thousandpoetsforchange/</a> </p>
<p><strong>Contents</strong><br />
Joanna Catherine Scott, <a href="http://wildgoosepoetryreview.wordpress.com/2011/11/10/how-the-dead-come-back-by-joanna-catherine-scott/">How the Dead Come Back</a><br />
Joseph Bathanti, <a href="http://wildgoosepoetryreview.wordpress.com/2011/11/10/womens-prison-by-joseph-bathanti/">Women&#8217;s Prison</a><br />
Gail Peck, <a href="http://wildgoosepoetryreview.wordpress.com/2011/11/10/tower-of-mothers-by-gail-peck/">Tower of Mothers</a><br />
Nancy Posey, <a href="http://wildgoosepoetryreview.wordpress.com/2011/11/10/count-by-nancy-posey/">Count</a><br />
Nancy Posey, <a href="http://wildgoosepoetryreview.wordpress.com/2011/11/10/history-lesson-by-nancy-posey/">History Lesson</a><br />
Morgan DePue, <a href="http://wildgoosepoetryreview.wordpress.com/2011/11/10/september-2011-by-morgan-depue/">September 2011</a><br />
Scott Owens, <a href="http://wildgoosepoetryreview.wordpress.com/2011/11/10/a-brief-reading-from-the-holey-bible-for-selective-homophobic-christian-friends/">A Brief Reading from the Hol(e)y Bible for Selective Homophobic Christian Friends</a><br />
Scott Owens, <a href="http://wildgoosepoetryreview.wordpress.com/2011/11/10/conjugal-rites-by-scott-owens/">Conjugal Rites</a><br />
Scott Owens, <a href="http://wildgoosepoetryreview.wordpress.com/2011/11/10/manifest-by-scott-owens/">Manifest</a><br />
Corrigan Klein, <a href="http://wildgoosepoetryreview.wordpress.com/2011/11/10/i-turn-the-other-cheek-by-corrigan-klein/">I Turn the Other Cheek</a><br />
Bethea Buchanan, <a href="http://wildgoosepoetryreview.wordpress.com/2011/11/10/smear-the-queer-by-bethea-buchanan/">Smear the Queer</a><br />
Tony Ricciardelli, <a href="http://wildgoosepoetryreview.wordpress.com/2011/11/10/toyota-child-by-tony-ricciardelli/">Toyota Child</a><br />
Ann Fox Chandonnet, <a href="http://wildgoosepoetryreview.wordpress.com/2011/11/10/driving-black-by-ann-fox-chandonnet/">Driving Black</a><br />
Val Nieman, <a href="http://wildgoosepoetryreview.wordpress.com/2011/11/10/prelude-rosa-parks-at-her-booking-by-val-nieman/">Prelude: Rosa Parks at Her Booking</a><br />
Helen Losse, <a href="http://wildgoosepoetryreview.wordpress.com/2011/11/10/seriously-dangerous-by-helen-losse/">Seriously Dangerous</a><br />
Bill Griffin, <a href="http://wildgoosepoetryreview.wordpress.com/2011/11/10/little-mouse-stuff-by-bill-griffin/">little mouse (stuff)</a><br />
Debra Kaufman, <a href="http://wildgoosepoetryreview.wordpress.com/2011/11/10/sunnies-by-debra-kaufman/">Sunnies</a><br />
Dennis Lovelace, <a href="http://wildgoosepoetryreview.wordpress.com/2011/11/10/bleak-outlook-by-dennis-lovelace/">Bleak Outlook</a><br />
Douglas McHargue, <a href="http://wildgoosepoetryreview.wordpress.com/2011/11/10/men-on-a-summer-porch-by-douglas-mchargue/">Men on a Summer Porch</a><br />
Richard Krawiec, <a href="http://wildgoosepoetryreview.wordpress.com/2011/11/10/the-school-for-the-blind-by-richard-krawiec/">The School for the Blind</a><br />
Diana Engel, <a href="http://wildgoosepoetryreview.wordpress.com/2011/11/10/refuge-by-diana-engel/">Refuge</a><br />
Diana Pinckney, <a href="http://wildgoosepoetryreview.wordpress.com/2011/11/10/the-beast-and-the-innocent-by-diana-pinckney/">The Beast and the Innocent</a><br />
Shane Manier, <a href="http://wildgoosepoetryreview.wordpress.com/2011/11/10/see-saw-by-shane-manier/">(See) Saw</a><br />
Devona Wyant, <a href="http://wildgoosepoetryreview.wordpress.com/2011/11/10/twenty-questions-by-devona-wyant/">Twenty Questions</a></p>
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		<title>How the Dead Come Back, by Joanna Catherine Scott</title>
		<link>http://wildgoosepoetryreview.wordpress.com/2011/11/10/how-the-dead-come-back-by-joanna-catherine-scott/</link>
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		<pubDate>Thu, 10 Nov 2011 02:07:09 +0000</pubDate>
		<dc:creator>wildgoosepoetryreview</dc:creator>
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		<description><![CDATA[Joanna Catherine Scott HOW THE DEAD COME BACK In the course of justice none of us should see salvation. —Portia, The Merchant of Venice The trick is you can execute them, but they do not die. Will not. They refuse. Or cannot. Oh yes, they lie there on the gurney, still as death, as stone [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=wildgoosepoetryreview.wordpress.com&amp;blog=8889023&amp;post=1097&amp;subd=wildgoosepoetryreview&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Joanna Catherine Scott<br />
HOW THE DEAD COME BACK</p>
<p><em>In the course of justice none of us should see salvation</em>.<br />
—Portia, The Merchant of Venice</p>
<p>The trick is you can execute them, but they do not die.<br />
Will not. They refuse. Or cannot. Oh yes, they lie there<br />
on the gurney, still as death, as stone men, still as flesh<br />
that has not yet begun to rot, still as evil, still as sorrow<br />
and resentment, still as innocence sometimes, stiller </p>
<p>than betrayal, which is all agitation and the counting out<br />
of thirty silver coins. Stiller yet than justice, who has<br />
<em>done them in</em>, or so assumes, which is all she can do<br />
since she’s blind, or blinded, blinkered, and so cannot see,<br />
or foresee, the consequences of her delicately balanced </p>
<p>golden scale, a balance, everyone allows, which can be tricky—<br />
card up the sleeve, two-headed coin, a pair of weighted dice,<br />
a plea that turns, by sleight of hand, into a devil’s bargain.<br />
All are tricky. As is execution. Soft warm flesh<br />
shot full of triple death, like the vengeance of a triple God, </p>
<p>the one who said, <em>Thou shalt not kill</em>, the one whose son<br />
said, <em>Love thy neighbor as thyself</em>, the one who said<br />
<em>Mercy blesses him that gives and him that takes</em>—No,<br />
that wasn’t God, just an ordinary woman with an ordinary<br />
woman’s view on how the world should be: twice blessed.</p>
<p>So then . . . the inmate launched with the grim ferryman,<br />
now comes the unstrapping from the gurney, the hauling out<br />
and incineration of the corpse, or, if the family can afford it,<br />
the handing over for burial deep down, a place to mourn above,<br />
his final resting place, although he’s had no rest for years—</p>
<p>those constant shrilling lights—and might appreciate the chance<br />
to lie there quiet in the dark and Rest In Peace . . . But forget all that,<br />
because he’s still back on Death Row, where he has been for all,<br />
or almost all, his adult life, has grown accustomed to it,<br />
learned how to survive it, even learned to think of it as home. </p>
<p>Which is why execution is so tricky, this shooting up with death<br />
of men brimful with it, the poison overflowing, leaking out,<br />
poisoning the executioner and lawyers, the warden, whose duty<br />
is to come along and watch. (Does he love his duty? Does he<br />
dream of it at night? Count the kills like a canned hunt</p>
<p>huntsman on a drive-by shoot of captive black buck antelope?)<br />
Poisoning the witnesses, the doctor as he’s box-checking<br />
Cause of Death as <em>homicide</em>. Poisoning the executee’s family,<br />
who have been dying now for years, the victim’s too,<br />
if after this long time they feel obliged, compelled, to come.</p>
<p>Poison leaking through the ventilation system to the air outside,<br />
to fall like gentle rain from heaven upon protesters<br />
on the hill above the prison, with their prayers and hymns<br />
and tears and tender hearts and lighted candles<br />
and their signs: <em>No more lynching! Stop state killing now!</em> </p>
<p>Poison dropping down onto supporters with their placards:<br />
<em>Murderers deserve to die</em>! their T-shirts saying <em>Die!</em><br />
Poison spreading like a virus, a contagion,<br />
out across the city, and the county, and the state,<br />
the entire God-bless-us country, out into the world. </p>
<p>That awful gentle dropping, that terrible insinuation,<br />
that corrosive rain, gentler than mercy but remorseless,<br />
down on <em>We the People</em>, seeping into hearts,<br />
turning them to stone. Gently dropping down, too,<br />
on the brand new teenage mother walking her new baby boy </p>
<p>with halo of black curls, walking him into the prison<br />
of his future, into hers. And the newly undead watching<br />
from a Death Row window, he and those who came before him,<br />
killers, with the innocent amongst them,<br />
gazing in confoundment at this grand homicidal spree.</p>
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		<title>Women&#8217;s Prison, by Joseph Bathanti</title>
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		<pubDate>Thu, 10 Nov 2011 02:06:33 +0000</pubDate>
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		<description><![CDATA[Joseph Bathanti WOMEN’S PRISON Two Sundays a month, darkness still abroad, we round up the kids and bundle them into a restored salvaged Bluebird school bus, repainted green, and make the long haul to Raleigh where their mothers are locked in Women’s Prison. We pin the children’s names, and numbers, to their coats, count them [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=wildgoosepoetryreview.wordpress.com&amp;blog=8889023&amp;post=1095&amp;subd=wildgoosepoetryreview&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Joseph Bathanti<br />
WOMEN’S PRISON</p>
<p> Two Sundays a month, darkness still abroad,<br />
we round up the kids and bundle them<br />
into a restored salvaged Bluebird school bus,<br />
repainted green, and make the long haul </p>
<p>to Raleigh where their mothers are locked<br />
in Women’s Prison. We pin the children’s names,<br />
and numbers, to their coats, count them<br />
like convicts at lights-out. Sucking thumbs, </p>
<p>clutching favorite oddments to cuddle as they ride<br />
curled in twos on patched sprung benches,<br />
they sleepwalk bashfully, the little aged,<br />
into the belly of the bus, eyes nailed to its floor. </p>
<p>We feed them milk and juice, animal crackers, apples;<br />
stop for them to use the bathroom,<br />
and to change the ones so young, they can’t help wetting.<br />
We try singing: folk tunes and strike ballads –</p>
<p>as if off to picket or march with an army of babies –<br />
but their stony faces will not yield and, finally,<br />
their passion to disappear puts them to sleep,<br />
not to wake until the old Bluebird jostles </p>
<p>through the checkpoints into the prison.<br />
Somehow, upon reopening their eyes, they know<br />
to smile at the twirling jagged grandeur<br />
surrounding the massive compound: concertina –</p>
<p>clotted with silver scraps of dew and dawn light,<br />
a bullet-torn shroud of excelsior, scored<br />
in dismal fire, levitating in the savage<br />
Sabbath sky. By then, their mothers, </p>
<p>in the last moments of girlish rawboned glory,<br />
appear in baggy, sky-blue prison shifts,<br />
their beautiful hands lifting to shield their eyes,<br />
like saints about to be slaughtered, </p>
<p>as if the light is too much, the sky suddenly egg-blue,<br />
plaintive, threatening to pale away, the sun<br />
still invisible, yet blinding. Barefoot, weepy,<br />
they call their babies by name and secret endearment, </p>
<p>touch them everywhere like one might the awakened dead.<br />
The children remain dignified, nearly aloof<br />
in their perfect innocence, and self-possession,<br />
toddling  dutifully, into the arms of anyone </p>
<p>who reaches for them, even the guards, petting them too.<br />
When visiting hours conclude, the children hand<br />
their mothers cards and drawings, remnants<br />
of a life they are too young to remember, </p>
<p>but conjure in glyphic crayon blazes.<br />
Attempting to recollect the narrative<br />
that will guide them back to their imagined homes,<br />
the mothers peer from the pictures to the departing </p>
<p>children – back and forth, straining<br />
to make the connection, back<br />
and forth until the children, already fast asleep<br />
as the bus spirits them off, disappear.</p>
<p>(previously published in Shenandoah)</p>
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		<title>Tower of Mothers, by Gail Peck</title>
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		<pubDate>Thu, 10 Nov 2011 02:06:12 +0000</pubDate>
		<dc:creator>wildgoosepoetryreview</dc:creator>
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		<description><![CDATA[Gail Peck TOWER OF MOTHERS after Käthe Kollwitz, bronze sculpture, 1938, and two photographs in Newsweek, 2006 Today their hearts are stone, these mothers who’ve created a fortress with their bodies, their children peeking from the folds of skirts. One mother has her bare feet planted, another has her fist in the air. No, they [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=wildgoosepoetryreview.wordpress.com&amp;blog=8889023&amp;post=1093&amp;subd=wildgoosepoetryreview&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Gail Peck<br />
TOWER OF MOTHERS</p>
<p>                                                                after Käthe Kollwitz, bronze sculpture,<br />
                                                                1938, and two photographs<br />
                                                                in Newsweek, 2006      </p>
<p>Today their hearts are stone,<br />
these mothers who’ve created<br />
a fortress with their bodies,<br />
their children peeking from the folds<br />
of skirts.  One mother has her bare feet<br />
planted, another has her fist in the air.<br />
No, they shout at marching boots,<br />
planes overhead.  Nothing can get<br />
to the children now—what kind<br />
of game is this they ask?<br />
It has no name.   </p>
<p>                           *</p>
<p>In the photograph of the gravesite,<br />
a girl in blue pants and green top<br />
is behind a casket.  She is not<br />
looking at it, her eyes are clouds.<br />
She leans against a woman’s lap,<br />
her head tilted away<br />
from the soldier who cups her chin.<br />
The girl has a hand full<br />
of red flowers, the other held loosely<br />
around one rose about to fall.</p>
<p>                             *</p>
<p>The boy, probably four, lies face<br />
down on dirt, rock.  His pants<br />
shredded by a mortar, his feet, legs, arms<br />
soiled from dust.  White shirt someone<br />
must have buttoned, one sleeve<br />
not fully covering the arm bent backward.<br />
Who will come gather him, wash<br />
his body, comb his hair? </p>
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		<title>Count, by Nancy Posey</title>
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		<pubDate>Thu, 10 Nov 2011 02:05:50 +0000</pubDate>
		<dc:creator>wildgoosepoetryreview</dc:creator>
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		<description><![CDATA[Nancy Posey COUNT Mathematically morbid, we tally the number lost, marking each life with a chair, a cross, a stone—at Oklahoma City, Columbine, the Pentagon. We sometimes sacrifice precision for effect. Shakespeare was not the first, after all, to overstate the odds when the” happy few,” that “band of brothers” came up against the French [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=wildgoosepoetryreview.wordpress.com&amp;blog=8889023&amp;post=1091&amp;subd=wildgoosepoetryreview&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Nancy Posey<br />
COUNT</p>
<p>Mathematically morbid, we tally the number<br />
lost, marking each life with a chair, a cross,<br />
a stone—at Oklahoma City, Columbine,<br />
the Pentagon.  We sometimes sacrifice<br />
precision for effect. Shakespeare was not<br />
the first, after all, to overstate the odds<br />
when the” happy few,” that “band of brothers”<br />
 came up against the French and won;<br />
nor can we know for sure the dead that day,<br />
since, we are told, the French only counted<br />
their noble dead. (Is that why they call them<br />
 counts?) Does it matter to the living, to the<br />
dead? Still we seek to comprehend, in grade<br />
school celebrating the hundredth day with<br />
a hundred things, marbles, cookies, pencils.</p>
<p>How, then, can we wrap our minds around<br />
the count:<br />
eleven million dead,<br />
six million Jews,<br />
a quarter million Roma,<br />
1.5 million children,<br />
give or take?<br />
Somewhere in Tennessee, children fill a rail<br />
car with eleven million paperclips to try to<br />
understand, while somewhere else,  Darfur<br />
perhaps, just now, one more child dies.</p>
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		<title>History Lesson, by Nancy Posey</title>
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		<pubDate>Thu, 10 Nov 2011 02:05:28 +0000</pubDate>
		<dc:creator>wildgoosepoetryreview</dc:creator>
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		<description><![CDATA[Nancy Posey HISTORY LESSON Since the coach who taught history tended to digress, we had to sort our notes, weeding out the stats of last night’s game, to make sense of World War Two. The first war, the one to end all wars, had taken less than a week, since he was eager to put [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=wildgoosepoetryreview.wordpress.com&amp;blog=8889023&amp;post=1089&amp;subd=wildgoosepoetryreview&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Nancy Posey<br />
HISTORY LESSON</p>
<p>Since the coach who taught history<br />
tended to digress, we had to sort<br />
our notes, weeding out the stats<br />
of last night’s game, to make sense<br />
of World War Two.  The first war,<br />
the one to end all wars, had taken<br />
less than a week, since he was eager<br />
to put on the uniform he’d bought<br />
off Ebay and wore to reenactments<br />
all summer and weekends when<br />
the team drew a bye.  We had lingered<br />
through the Uncivil War, the one<br />
he claimed our grandparents called<br />
the War of Northern Aggression,<br />
although we knew that few in these hills<br />
had owned slaves, and few fought<br />
 willingly for those belonging to the man<br />
in the big house, whose grown sons<br />
stayed home.  Coach read from his old<br />
notes bearing the whiff of the purple<br />
ink from the long retired mimeograph,<br />
dictating dates, names, and places<br />
drawing no links between cause and effect,<br />
between one period and the next,<br />
between then and now.  No wonder<br />
we learned so little of the standard<br />
course of study; not until we left<br />
school for lives of our own, not until<br />
we read books that sent us searching<br />
to sift fact from fiction, not until our<br />
sons and daughters shipped out<br />
to deserts far away, did we ask<br />
ourselves why we didn’t see the need<br />
not just to learn history, but to learn<br />
from history.</p>
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		<title>September 2011, by Morgan DePue</title>
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		<pubDate>Thu, 10 Nov 2011 02:05:04 +0000</pubDate>
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		<description><![CDATA[Morgan DePue SEPTEMBER 2011 By now the world knows I only etch into it the scars of promises I know my heart can bear to burden. So when I kneel to you, swearing by this broken crescendo of a soul I was given, that I will never surrender for anything less than everything, that means [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=wildgoosepoetryreview.wordpress.com&amp;blog=8889023&amp;post=1086&amp;subd=wildgoosepoetryreview&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Morgan DePue<br />
SEPTEMBER 2011</p>
<p>By now the world knows<br />
I only etch into it the scars of promises<br />
I know my heart can bear to burden.</p>
<p>So when I kneel to you, swearing by this<br />
broken crescendo of a soul I was given,<br />
that I will never surrender for anything<br />
less than everything, that means until success or death.</p>
<p>I seek to give:<br />
Nourishment to the starving.<br />
Shelter and care to the sick and the cold.<br />
Dreams to the disillusioned.<br />
Peace to the world.</p>
<p>The idealist wishes of a naive little girl,<br />
so I’m told. Even though humanity’s greatest saints<br />
worked till death toward the selfsame goals.</p>
<p>My creators cultivated my existence<br />
with garden tool quotes,<br />
Feeding my heart, mind and soul,<br />
Forever reminding me:</p>
<p><em>With realization of one&#8217;s own potential<br />
and self-confidence in one&#8217;s ability,<br />
one can build a better world</em>. (Dalai Lama)</p>
<p>This life is hard and you must know</p>
<p><em>The good you do today may be forgotten tomorrow.<br />
Do good anyway</em>. (Mother Teresa)</p>
<p>and the poem is a powerful tool<br />
but</p>
<p><em>Better than a thousand hollow words<br />
is one word that brings peace</em>. (the Buddha)</p>
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		<title>A Brief Reading from the Hol(e)y Bible for Selective Homophobic Christian Friends</title>
		<link>http://wildgoosepoetryreview.wordpress.com/2011/11/10/a-brief-reading-from-the-holey-bible-for-selective-homophobic-christian-friends/</link>
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		<pubDate>Thu, 10 Nov 2011 02:04:23 +0000</pubDate>
		<dc:creator>wildgoosepoetryreview</dc:creator>
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		<description><![CDATA[Scott Owens A BRIEF READING FROM THE HOL(E)Y BIBLE FOR SELECTIVE HOMOPHOBIC CHRISTIAN FRIENDS Select, You shall not lie with a male as with a woman. Unselect, Nor shall you put on a garment made of two different materials. Declare it irrelevant Select, If a man lies with a man as with a woman, both [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=wildgoosepoetryreview.wordpress.com&amp;blog=8889023&amp;post=1084&amp;subd=wildgoosepoetryreview&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Scott Owens<br />
A BRIEF READING FROM THE HOL(E)Y BIBLE FOR SELECTIVE HOMOPHOBIC CHRISTIAN FRIENDS</p>
<p>Select, <em>You shall not lie with a male as with a woman</em>.<br />
Unselect, <em>Nor shall you put on a garment made of two different materials</em>.<br />
Declare it irrelevant</p>
<p>Select, <em>If a man lies with a man as with a woman, both of them have committed an abomination</em>.<br />
Unselect, <em>You shall not round off the hair on your temples or mar the edges of your beard</em>.<br />
Proclaim it obsolete</p>
<p>Unselect, <em>The camel, the rock badger, the hare, the pig . . . of their fleshes you shall not eat</em>.<br />
Dismiss as immaterial.</p>
<p>Unselect, <em>Anything in the seas or the streams that does not have fins and scales, they are detestable to you and detestable they shall remain</em>.<br />
Deem apocryphal.</p>
<p>Select, <em>Love each other as I have loved you;<br />
If I have all faith, so as to remove mountains, but do not have love, I am nothing;<br />
God is love, and those who abide in love, abide in God</em>.<br />
Select, but simply ignore.</p>
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		<title>Conjugal Rites, by Scott Owens</title>
		<link>http://wildgoosepoetryreview.wordpress.com/2011/11/10/conjugal-rites-by-scott-owens/</link>
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		<pubDate>Thu, 10 Nov 2011 02:03:04 +0000</pubDate>
		<dc:creator>wildgoosepoetryreview</dc:creator>
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		<guid isPermaLink="false">http://wildgoosepoetryreview.wordpress.com/?p=1082</guid>
		<description><![CDATA[Scott Owens CONJUGAL RITES I was the first she wanted to marry. No surprise there. Every dad a daughter’s first love. But then she felt bad about excluding her mom, decided the three of us should tie the knot. We had to tell her you only marry one other person, at least you plan it [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=wildgoosepoetryreview.wordpress.com&amp;blog=8889023&amp;post=1082&amp;subd=wildgoosepoetryreview&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Scott Owens<br />
CONJUGAL RITES</p>
<p>I was the first she wanted to marry.<br />
No surprise there. Every dad<br />
a daughter’s first love. But then<br />
she felt bad about excluding her mom,<br />
decided the three of us should tie the knot.<br />
We had to tell her you only marry one<br />
other person, at least you plan it that way<br />
and mommy and I were already married<br />
to each other. She moved on to first<br />
one brother, then the other, both of whom said<br />
you can’t marry your brother. So then<br />
she tried her best friend, a girl, asked<br />
to be clear if girls could marry each other.<br />
Already thrice denied what could we say<br />
to make sense to a four-year-old.<br />
Yes, of course, but only in some places,<br />
only where love is not proscribed by law.</p>
<p>(first published  in <em>Main Street Rag</em>)</p>
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		<title>Manifest, by Scott Owens</title>
		<link>http://wildgoosepoetryreview.wordpress.com/2011/11/10/manifest-by-scott-owens/</link>
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		<pubDate>Thu, 10 Nov 2011 02:00:38 +0000</pubDate>
		<dc:creator>wildgoosepoetryreview</dc:creator>
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		<guid isPermaLink="false">http://wildgoosepoetryreview.wordpress.com/?p=1080</guid>
		<description><![CDATA[Scott Owens MANIFEST I believe in the world. I believe there are things in the world we can neither see nor understand. I believe in trying to quantify those things. And I believe that intolerant insistence on any particular quantification is foolish. Christianity, Judaism, Atheism, any doctrine received whole&#8211; to the open eye, the open [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=wildgoosepoetryreview.wordpress.com&amp;blog=8889023&amp;post=1080&amp;subd=wildgoosepoetryreview&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Scott Owens<br />
MANIFEST</p>
<p>I believe in the world.<br />
I believe there are things in the world<br />
we can neither see nor understand.<br />
I believe in trying to quantify those things.<br />
And I believe that intolerant insistence<br />
on any particular quantification is foolish.<br />
Christianity, Judaism, Atheism,<br />
any doctrine received whole&#8211;<br />
to the open eye, the open mind,<br />
none of these will do.</p>
<p><em>Heretic! Blasphemer! Unbeliever!</em> they say.<br />
<em>You’ll burn!</em> they say.<br />
But I know I burn already. </p>
<p>Tie me to a post.<br />
Unstop my ears.<br />
I would hear it all,<br />
have it all,<br />
renounce fear and self-denial.<br />
Every day I meet my maker.</p>
<p><em>More weight</em>, he said,<br />
wanting all of his sins<br />
heaped upon his head,<br />
as much of the world<br />
as he could take.</p>
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		<title>I Turn the Other Cheek, by Corrigan Klein</title>
		<link>http://wildgoosepoetryreview.wordpress.com/2011/11/10/i-turn-the-other-cheek-by-corrigan-klein/</link>
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		<pubDate>Thu, 10 Nov 2011 01:59:29 +0000</pubDate>
		<dc:creator>wildgoosepoetryreview</dc:creator>
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		<guid isPermaLink="false">http://wildgoosepoetryreview.wordpress.com/?p=1078</guid>
		<description><![CDATA[Corrigan Klein I TURN THE OTHER CHEEK I’m leaving my body to religion. We’ve had our differences, but I forgive you. I leave my kidneys to George Rekers. May they filter fear and intolerance and the inner conflict from your veins. May they leave you free of disdain for the rent boy who escorted you [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=wildgoosepoetryreview.wordpress.com&amp;blog=8889023&amp;post=1078&amp;subd=wildgoosepoetryreview&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Corrigan Klein<br />
I TURN THE OTHER CHEEK</p>
<p>I’m leaving my body to religion.  We’ve had our differences,<br />
but I forgive you.</p>
<p>I leave my kidneys to George Rekers.  May they filter<br />
fear and intolerance and the inner conflict from your veins.<br />
May they leave you free of disdain for the rent boy<br />
who escorted you to Europe and massaged you every day.</p>
<p>I leave my liver to Newt Gingrich.  You cut your gay<br />
half-sister from your life.  I give you a second chance<br />
with a gay liver.</p>
<p>I leave my eyes to University of Utah Medical Center.  May they<br />
go to a Mormon man whose money denied gays the right<br />
to marry in California.  May your new eyes focus like lasers<br />
on the hottest guy as you enter a room.  May you enjoy<br />
whatever lifestyle you choose to live with your new vision.</p>
<p>Let my heart go to a soul of United Church of Christ<br />
or Society of Friends.  May you exercise your new organ<br />
as robustly as you did the original.</p>
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		<title>Smear the Queer, by Bethea Buchanan</title>
		<link>http://wildgoosepoetryreview.wordpress.com/2011/11/10/smear-the-queer-by-bethea-buchanan/</link>
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		<pubDate>Thu, 10 Nov 2011 01:58:42 +0000</pubDate>
		<dc:creator>wildgoosepoetryreview</dc:creator>
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		<guid isPermaLink="false">http://wildgoosepoetryreview.wordpress.com/?p=1076</guid>
		<description><![CDATA[Bethea Buchanan SMEAR THE QUEER So you&#8217;re gay and they say you shouldn&#8217;t be that way, that a man shouldn&#8217;t love another man, but it&#8217;s a okay if a lady loves another lady- because let&#8217;s face it, lesbians are hot and guys wanna see that girl on girl action. And we live in a world [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=wildgoosepoetryreview.wordpress.com&amp;blog=8889023&amp;post=1076&amp;subd=wildgoosepoetryreview&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Bethea Buchanan<br />
SMEAR THE QUEER</p>
<p>So you&#8217;re gay and they say you shouldn&#8217;t be that way,<br />
that a man shouldn&#8217;t love another man, but it&#8217;s a okay<br />
if a lady loves another lady- because let&#8217;s face it,<br />
lesbians are hot and guys wanna see that girl on girl<br />
action. And we live in a world that&#8217;s run by men<br />
and their opinions- the minions of religious agenda<br />
whose all loving God hates the homosexuals.<br />
Keep your god out of my laws.<br />
Your god has the gall to discriminate<br />
and propogate hate for someone who was born that way.<br />
Who chooses to live a life of torment? Unless you think<br />
a confused twelve year old is masochistic and wants<br />
to be called faggot. Wants to be beat up,<br />
fucked up, ostracized and forced to realize<br />
all too early that life is more than homework<br />
and test scores. Held responsible for the feelings they<br />
are taught are wrong and before long they&#8217;re going<br />
to agree and the hate mongering is going to sink in<br />
and they will end up self loathing, instead of embracing<br />
individuality, standing strong in the face of adversity-<br />
they will be found cowering. Hiding from the truth<br />
and digging themselves so deep into the closet they&#8217;ll<br />
start finding Christmas presents meant for next year.<br />
When society hears about the pretty neck ties<br />
the hate is sensationalized, bullies decriminalized<br />
simply chastised for insensitivity, secretly<br />
recognized as heroes for destroying the lives<br />
of those who denied themselves and donned the disguise<br />
of normality, ignoring their sexuality, and hoping<br />
to avoid the fatality of sodomy.</p>
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		<title>Toyota Child, by Tony Ricciardelli</title>
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		<pubDate>Thu, 10 Nov 2011 01:57:58 +0000</pubDate>
		<dc:creator>wildgoosepoetryreview</dc:creator>
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		<guid isPermaLink="false">http://wildgoosepoetryreview.wordpress.com/?p=1074</guid>
		<description><![CDATA[Tony Ricciardelli TOYOTA CHILD I am idling in traffic, roasting on melted asphalt, going nowhere like a corpse in a parade. I am directly behind them, two characters in a car that should be scrap metal, And then I see the bumper sticker that reads “White is Might.” The words are flanked on either side [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=wildgoosepoetryreview.wordpress.com&amp;blog=8889023&amp;post=1074&amp;subd=wildgoosepoetryreview&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Tony Ricciardelli<br />
TOYOTA CHILD</p>
<p>I am idling in traffic, roasting on melted asphalt,<br />
going nowhere like a corpse in a parade.<br />
I am directly behind them,<br />
two characters in a car that should be scrap metal,<br />
And then I see</p>
<p>the bumper sticker that reads<br />
“White is Might.”<br />
The words are flanked on either side<br />
by a swastika and a lightning bolt.<br />
There’s more.</p>
<p>Four decals are positioned<br />
in each corner of the rear window:<br />
Dachau, Buchenwald, Bergen-Belson, Ravensbruck.<br />
In the middle of the same window</p>
<p>is a large swastika.<br />
Below it are the words<br />
“Six Million and Counting.”</p>
<p>The two shaved men in the front seat<br />
are drinking Budweiser.<br />
They are wearing camo t-shirts, and I suspect<br />
the rest of the required uniform<br />
consisting of black, steel-toe boots and fatigues.</p>
<p>They cuss like longshoremen at the trough,<br />
shake their fists, pound on the dashboard,<br />
scream along with the death-chant hate-heavy-metal<br />
that shatters the air, ignites the ears.</p>
<p>Like a dog smells cancer,<br />
I can smell the rot in their putrefied souls.</p>
<p>The stench reaches far into the neighborhoods,<br />
sickens and repels like vomit on the stairs.</p>
<p>The sum of their hate is too much<br />
for any culture or country,<br />
though never enough for the righteously ignorant.<br />
They cough and choke and spat hate<br />
in every direction,<br />
like rampant tuberculosis,<br />
from a Medieval Toyota Hatchback that twitches and jerks,<br />
and mimics and mocks those<br />
who died in the ovens and chambers.</p>
<p>Beyond the swastika in the rear window,<br />
I notice movement.</p>
<p>It’s a little girl,</p>
<p>maybe three or four years old.<br />
She is blonde, slender, fair-skinned:<br />
Der Fuehrer’s forgotten progeny.</p>
<p>She is sitting<br />
next to a styrofoam cooler, eating popcorn,<br />
seemingly detached from the<br />
propaganda rage and filth screaming from<br />
Radio Auschwitz.</p>
<p>She sways slowly, rhythmically, from side to side,<br />
trancelike,<br />
as if she’s found a way to separate herself<br />
from the self-ordained Gestapo, in the front seat.</p>
<p>And for a moment,</p>
<p>her tranquility renders me hopeful.<br />
And I pray that, perhaps,<br />
in her mind, she’s escaped to a faraway place,<br />
to the familiar Mother Goose,<br />
or she’s skipping down Sesame Street,<br />
or maybe she’s climbing the rainbow<br />
she drew in pre-school. </p>
<p>And reading her expressionless face,<br />
I imagine<br />
the worst scenario<br />
of that child’s miserable life,</p>
<p>and I must convince her<br />
that there is good in the world.<br />
I need for her to know<br />
that somebody cares.</p>
<p>So, I gaze upon that child with fatherly concern,<br />
and she looks back at me, hollow, distant.</p>
<p>My heart sinks because I suspect<br />
that she doesn’t understand love or compassion.</p>
<p>And I offer a smile and a wave to that<br />
unfortunate child,<br />
and she locks her sad, dead eyes on mine,<br />
and gives me the finger.</p>
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		<title>Driving Black, by Ann Fox Chandonnet</title>
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		<pubDate>Thu, 10 Nov 2011 01:56:44 +0000</pubDate>
		<dc:creator>wildgoosepoetryreview</dc:creator>
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		<description><![CDATA[Ann Fox Chandonnet DRIVING BLACK How wonderful it is that nobody need wait a single moment before starting to improve the world. &#8211;Anne Frank Use a light foot. Keep your eyes open. Mind the signs. Don&#8217;t drive a white pickup. Shun the shades. You&#8217;ll be stopped anyway. When stopped: No smirks. No one-liners. Hustle uppity [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=wildgoosepoetryreview.wordpress.com&amp;blog=8889023&amp;post=1072&amp;subd=wildgoosepoetryreview&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Ann Fox Chandonnet<br />
DRIVING BLACK<br />
<em>How wonderful it is that nobody need wait a single moment before starting to improve the world</em>.<br />
   &#8211;Anne Frank</p>
<p>Use a light foot.<br />
Keep your eyes open.<br />
Mind the signs.<br />
Don&#8217;t drive a white pickup.<br />
Shun the shades.<br />
You&#8217;ll be stopped anyway.</p>
<p>When stopped:<br />
No smirks.<br />
No one-liners.<br />
Hustle uppity words underground.</p>
<p>Conceal that muscular butt in ruffles.<br />
Tame the curls.<br />
Leave gaudy jewelry on the dresser.<br />
Ditch the do-rag.<br />
Shave the soul patch.<br />
You&#8217;ll be stopped anyway.</p>
<p>Heard a rumor it&#8217;s the 21st century,<br />
that you have rights?<br />
You&#8217;ll be pulled over anyway.</p>
<p>When stopped:<br />
Hide your education.<br />
Mute gestures<br />
as well as tone.<br />
Meat steams on the table,<br />
but no place is set for you.<br />
Never an open door, never a glass of wine.<br />
Take it for granted:<br />
Quicker than boiled asparagus,<br />
you&#8217;ll be stopped.</p>
<p>Fling the bling.<br />
Bag the rag.<br />
Scratch the patch.<br />
Shed the dreads.<br />
Pass on sass.<br />
Odds are, you&#8217;ll be pulled over,<br />
and over.</p>
<p>(Previously appeared in <em>Whispered Secrets</em>)</p>
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		<title>Prelude: Rosa Parks at Her Booking, by Val Nieman</title>
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		<pubDate>Thu, 10 Nov 2011 01:54:57 +0000</pubDate>
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		<description><![CDATA[Val Nieman PRELUDE: ROSA PARKS AT HER BOOKING Now, isn’t this a moment – The policeman takes my hand as gentle and respectful as you please (though I suspect he doesn’t). You might just say it’s the uniform or the office, or familiarity with the task, how many fingers he’s set to ink and then [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=wildgoosepoetryreview.wordpress.com&amp;blog=8889023&amp;post=1070&amp;subd=wildgoosepoetryreview&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Val Nieman<br />
PRELUDE: ROSA PARKS AT HER BOOKING</p>
<p>Now, isn’t this a moment –<br />
The policeman takes my hand as gentle<br />
and respectful as you please (though I suspect he doesn’t).<br />
You might just say it’s the uniform or the office,<br />
or familiarity with the task, how many<br />
fingers he’s set to ink and then to paper.</p>
<p>Every finger has a print only to itself, they say,<br />
but I wonder if there is some difference<br />
black to white, like nap of hair or curve of lip.<br />
If you jumbled the cards, could anyone say<br />
this soul belongs in the front of the bus<br />
and that, by this arabesque, in the back?</p>
<p>He takes my pointer and presses it down,<br />
rolls it side to side,<br />
white on black, black on white.<br />
A piano teacher might take my fingers,<br />
place them so, so, and so<br />
before the first note is struck.</p>
<p>(Previously published in <em>Crab Creek Review</em>)</p>
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		<title>Seriously Dangerous, by Helen Losse</title>
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		<pubDate>Thu, 10 Nov 2011 01:54:10 +0000</pubDate>
		<dc:creator>wildgoosepoetryreview</dc:creator>
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		<description><![CDATA[Helen Losse SERIOUSLY DANGEROUS The evening begins with kudzu— summer memories submerged in a deep southern swamp— where spirited black boys, old dryers bob beside alligators. Late in hot night, flashes of yesterday surface in pain like the prick of a thorn, the mock of a crown that continues its burn. Low whispers, deep shadows [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=wildgoosepoetryreview.wordpress.com&amp;blog=8889023&amp;post=1068&amp;subd=wildgoosepoetryreview&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Helen Losse<br />
SERIOUSLY DANGEROUS</p>
<p>The evening begins with kudzu—<br />
summer memories submerged<br />
in a deep southern swamp—<br />
where spirited black boys, old dryers<br />
bob beside alligators.  Late in hot night,<br />
flashes of yesterday surface in pain<br />
like the prick of a thorn, the mock<br />
of a crown that continues its burn.</p>
<p>Low whispers, deep shadows remain<br />
where trials by fire have left actual trails<br />
after a tromp in slime &amp; muck,<br />
with tell-tale footprints from society’s<br />
work boots.  Seriously dangerous,<br />
the cross without a savior—<br />
deniable today, but for masks, hoods—<br />
cannot burn away filth &amp; dross,</p>
<p>nor wash us clean, ’til truth bleeds. </p>
<p>(First published in <em>Poetry Friends</em>.)</p>
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		<title>Little Mouse (Stuff), by Bill Griffin</title>
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		<pubDate>Thu, 10 Nov 2011 01:53:15 +0000</pubDate>
		<dc:creator>wildgoosepoetryreview</dc:creator>
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		<description><![CDATA[Bill Griffin LITTLE MOUSE (STUFF) I own a book I’ve never read. OK OK, a couple dozen. More. (And not all of them poetry, either.) Will I ever really excavate the pile beside my bed? and meanwhile half dot com keeps calling to me. On the shelf a CD gathers dust unopened (Die Fledermaus): I [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=wildgoosepoetryreview.wordpress.com&amp;blog=8889023&amp;post=1066&amp;subd=wildgoosepoetryreview&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Bill Griffin<br />
LITTLE MOUSE (STUFF)</p>
<p>I own a book I’ve never read.  OK<br />
	OK, a couple dozen.  More.  (And not all<br />
of them poetry, either.)  Will I ever really<br />
excavate the pile beside my bed? and meanwhile<br />
half dot com keeps calling to me.</p>
<p>On the shelf a CD gathers dust<br />
	unopened (<em>Die Fledermaus</em>): I meant<br />
to sneak it into your stocking, but you<br />
have yet to listen to the birthday’s,<br />
mother’s day’s, etc. Our rooms are full</p>
<p>of cetera, those other things – did I think<br />
	I could redeem my self by filling shelves?<br />
What is the other that this stuff replaces?<br />
Could I survive a week without buying<br />
anything but bread and milk?</p>
<p>I’m afraid to ask it: What would Jesus<br />
	buy?  In his hands he cups<br />
a little mouse, squats beside a soup can over<br />
a fire of twigs to brew wild beebalm tea,<br />
another way of turning water into wine.</p>
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		<title>Sunnies, by Debra Kaufman</title>
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		<pubDate>Thu, 10 Nov 2011 01:51:18 +0000</pubDate>
		<dc:creator>wildgoosepoetryreview</dc:creator>
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		<description><![CDATA[Debra Kaufman SUNNIES The sun had not risen when I slipped into the kitchen and saw my father at the sink, where he never stood. He did not order me back to bed, but turned and gently showed me the gold he’d reeled in himself. Their scales glittered like fairy wings. He called them sunnies, [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=wildgoosepoetryreview.wordpress.com&amp;blog=8889023&amp;post=1064&amp;subd=wildgoosepoetryreview&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Debra Kaufman<br />
SUNNIES</p>
<p>The sun had not risen<br />
when I slipped into the kitchen</p>
<p>and saw my father at the sink,<br />
where he never stood.</p>
<p>He did not order me back to bed,<br />
but turned and gently</p>
<p>showed me the gold<br />
he’d reeled in himself.</p>
<p>Their scales glittered like fairy wings.<br />
He called them sunnies,</p>
<p>his voice a low rumble<br />
like the night train that slowed</p>
<p>as it passed through town.<br />
He too was always leaving.</p>
<p>He smelled of the lake and coffee,<br />
happy and sad together.</p>
<p>The dome light shone on the cold linoleum<br />
and a sifting sort of lavender</p>
<p>air made me shiver. A wren<br />
chittered in the weeping cherry.</p>
<p>I stepped my bare feet onto his huge brown shoe<br />
and balanced there.</p>
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		<title>Bleak Outlook, by Dennis Lovelace</title>
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		<pubDate>Thu, 10 Nov 2011 01:50:28 +0000</pubDate>
		<dc:creator>wildgoosepoetryreview</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://wildgoosepoetryreview.wordpress.com/?p=1062</guid>
		<description><![CDATA[Dennis Lovelace BLEAK OUTLOOK Sitting safely on my enclosed back porch Hermetically sealed with ultraviolet Filtered protective glass, watching Blood red sun sinking, distorted By haze and shimmering heat waves Staring out over the desolate landscape Arid land, brittle, hard and cracked From lack of moisture, vegetation, Stunted, twisted, dried and leafless Burnt brown and [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=wildgoosepoetryreview.wordpress.com&amp;blog=8889023&amp;post=1062&amp;subd=wildgoosepoetryreview&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Dennis Lovelace<br />
BLEAK OUTLOOK</p>
<p>Sitting safely on my enclosed back porch<br />
Hermetically sealed with ultraviolet<br />
Filtered protective glass, watching<br />
Blood red sun sinking, distorted<br />
By haze and shimmering heat waves</p>
<p>Staring out over the desolate landscape<br />
Arid land, brittle, hard and cracked<br />
From lack of moisture, vegetation,<br />
Stunted, twisted, dried and leafless<br />
Burnt brown and dying</p>
<p>Global warming, no such thing, they said<br />
Ozone level depletion, acid rain, pollution<br />
No problem, we’ll take care of it<br />
Hell of a way to learn the difference<br />
Between conservative and conservationist</p>
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		<title>Men on a Summer Porch, by Douglas McHargue</title>
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		<pubDate>Thu, 10 Nov 2011 01:49:47 +0000</pubDate>
		<dc:creator>wildgoosepoetryreview</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://wildgoosepoetryreview.wordpress.com/?p=1060</guid>
		<description><![CDATA[Douglas McHargue MEN ON A SUMMER PORCH The apartments sit where an old house was, Victorian porch wrapped all around, white railings cradling but not saving it. These porches are tiny and cement, men with bronze hands sitting there, grasping grocery bags of lunches Spanish words telling how bossman’s lettin’ twenty go and maybe we [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=wildgoosepoetryreview.wordpress.com&amp;blog=8889023&amp;post=1060&amp;subd=wildgoosepoetryreview&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Douglas McHargue<br />
MEN ON A SUMMER PORCH</p>
<p>The apartments sit where an old house was,<br />
Victorian porch wrapped all around,<br />
white railings cradling<br />
but not saving it.</p>
<p>These porches are tiny and cement,<br />
men with bronze hands sitting there,<br />
grasping grocery bags of lunches<br />
Spanish words telling how<br />
<em>bossman’s lettin’ twenty go</em><br />
and <em>maybe we gotta go back</em>,<br />
two of them on a narrow bench<br />
sweaty work clothes touching<br />
uncomfortably close<br />
backs stiff against wood<br />
like prim arthritic ladies<br />
out on a warm afternoon<br />
taking tea together<br />
in bone china cups,<br />
sitting on the edges of truth.</p>
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		<title>The School for the Blind, by Richard Krawiec</title>
		<link>http://wildgoosepoetryreview.wordpress.com/2011/11/10/the-school-for-the-blind-by-richard-krawiec/</link>
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		<pubDate>Thu, 10 Nov 2011 01:48:58 +0000</pubDate>
		<dc:creator>wildgoosepoetryreview</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

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		<description><![CDATA[Richard Krawiec THE SCHOOL FOR THE BLIND Like a music-drugged rock star Tyler’s head swivels a figure eight above the Braille machine while he bangs out a story of abandonment and acceptance Monique’s pink and downy scalp glows over the paper her lips pucker an inch above she reads like a lover bestowing a kiss [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=wildgoosepoetryreview.wordpress.com&amp;blog=8889023&amp;post=1057&amp;subd=wildgoosepoetryreview&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Richard Krawiec<br />
THE SCHOOL FOR THE BLIND</p>
<p>Like a music-drugged rock star<br />
Tyler’s head swivels<br />
a figure eight<br />
above the Braille machine<br />
while he bangs out a story<br />
of abandonment and acceptance</p>
<p>Monique’s pink and downy<br />
scalp glows over the paper<br />
her lips pucker an inch above<br />
she reads like a lover<br />
bestowing a kiss<br />
to the tale of herself<br />
as an alien freeing an alien dog</p>
<p>Zach’s fingers puzzle<br />
each letter of Braille<br />
he types, struggling<br />
to get the spelling right<br />
so he can share his premature<br />
birth, detached retinas</p>
<p>The Braille Writer spits<br />
out sheets which say<br />
DaVonte’s character bursts<br />
into ashes,  overloaded<br />
with homework, his parents<br />
die of stroke, blinded<br />
by the letters of their assignments</p>
<p>Her frizzed afro,held in a T<br />
by a wound elastic, quivers<br />
as Diamond writes of that incredible gift<br />
a visit to Food Lion, the ritual<br />
to pack her clothing for the trip</p>
<p>When I ask Brandon<br />
if his character, Princess Poach,<br />
might open her parasol<br />
and float into his life<br />
he laughs at me, “That’s too much<br />
imagination.”  I am the one<br />
who seems to be lacking.</p>
<p>How dare I whine to myself<br />
about friends distanced<br />
by divorce and ennui,<br />
about lovers and sons<br />
and their gnat-irritations?<br />
How dare I inflate<br />
into torment the small<br />
discomforts of my day?</p>
<p>When<br />
Cassidy smiles<br />
despite her noseless face<br />
Kimberly giggles,<br />
the gray discs of her eyes<br />
darting side to side,<br />
Tavish, head lined<br />
with an incision scar<br />
from ear to ear across his dome<br />
stutters with joy because<br />
he learned how<br />
to dribble a basketball?</p>
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		<title>Refuge, by Diana Engel</title>
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		<pubDate>Thu, 10 Nov 2011 01:46:17 +0000</pubDate>
		<dc:creator>wildgoosepoetryreview</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://wildgoosepoetryreview.wordpress.com/?p=1055</guid>
		<description><![CDATA[Diana Engel REFUGE In this fearful place, we clutch our lives and draw inward, seeking the consolation of home fires, selfishly guarding our blessings, spoon-feeding them hot soup and crusts of bread. But in the pits of our stomachs and the chambers of our souls we are famished, lost like Hansel and his sister, searching [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=wildgoosepoetryreview.wordpress.com&amp;blog=8889023&amp;post=1055&amp;subd=wildgoosepoetryreview&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Diana Engel<br />
REFUGE</p>
<p>In this fearful place,<br />
we clutch our lives<br />
and draw inward,<br />
seeking the consolation of home fires,<br />
selfishly guarding our blessings,<br />
spoon-feeding them hot soup<br />
and crusts of bread.</p>
<p>But in the pits of our stomachs<br />
and the chambers of our souls<br />
we are famished,<br />
lost like Hansel and his sister,<br />
searching the skies<br />
and the thick, dark forest<br />
for the hidden path.</p>
<p>Nightmares of closed doors<br />
and empty purses haunt us,<br />
hobgoblins that steal our peace,<br />
break down resolve to reach out<br />
across backyard fences,<br />
place our gifts in neighbors’ hands,<br />
those who wake fatigued<br />
with nothing<br />
but their own hearts to eat.</p>
<p>Let us be the voices in this wilderness,<br />
cry “Make the way straight,”<br />
dare to feed and clothe strangers,<br />
embrace those surviving in hostile winter outposts<br />
of this hard and hoarding society,<br />
demand jobs for our teachers<br />
and homes for our families<br />
struggling from dawn to dusk<br />
to reclaim their lives,<br />
their grit and pluck<br />
shouting their promise.</p>
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		<title>The Beast and the Innocent, by Diana Pinckney</title>
		<link>http://wildgoosepoetryreview.wordpress.com/2011/11/10/the-beast-and-the-innocent-by-diana-pinckney/</link>
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		<pubDate>Thu, 10 Nov 2011 01:44:43 +0000</pubDate>
		<dc:creator>wildgoosepoetryreview</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

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		<description><![CDATA[Diana Pinckney THE BEAST AND THE INNOCENT Of course, dogs and cats go to heaven, my mother announced from her deathbed. Welcomed into heaven, my childhood cat will groom Grandmother’s canary, feathers the same yellow as the black cat’s eyes, the bird he ate when I was seven. In paradise pointers lap at duck ponds [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=wildgoosepoetryreview.wordpress.com&amp;blog=8889023&amp;post=1053&amp;subd=wildgoosepoetryreview&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Diana Pinckney<br />
THE BEAST AND THE INNOCENT</p>
<p><em>Of course, dogs and cats go to heaven</em>,<br />
my mother announced from her deathbed.<br />
Welcomed into heaven, my childhood cat<br />
will groom Grandmother’s canary, feathers the same<br />
yellow as the black cat’s eyes, the bird </p>
<p>he ate when I was seven. In paradise<br />
pointers lap at duck ponds while cockatiels<br />
screech and perch on each dog’s white and black<br />
spotted back. Heaven’s way is, </p>
<p>as we have heard, <em>the lion lying down<br />
with the lamb</em>. A place where Christians kindle<br />
the eight candles of Hanukkah, Muslims unfurl<br />
prayer rugs for Hindi and the roped Tibetan prayer</p>
<p>flags flutter good fortune for the Chinese.<br />
The wine and wafer bless a round wooden table, a feast<br />
celebrated with unleavened and leavened,<br />
mango and oyster, babel unlimited. And the spaniel<br />
that killed my brother’s rabbits will lie </p>
<p>on the wide-bladed grass of my youth, all manner<br />
of four and two-legged creatures leaping<br />
over him, some stroking the red and white silk<br />
of his fur for pure pleasure, for the grace.</p>
<p>(Previously Published in <em>Imagining Heaven</em> Anthology) </p>
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		<title>(See) Saw, by Shane Manier</title>
		<link>http://wildgoosepoetryreview.wordpress.com/2011/11/10/see-saw-by-shane-manier/</link>
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		<pubDate>Thu, 10 Nov 2011 01:43:27 +0000</pubDate>
		<dc:creator>wildgoosepoetryreview</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

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		<description><![CDATA[Shane Manier (SEE) SAW People on the verge of suicide, for lack of a love life. Meanwhile, Women of the Congo are raped with knives. The survivors are treated as lepers to the men of their village. Their homes are lies. People complain there is nothing to eat, tired of fast food and everything. Meanwhile, [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=wildgoosepoetryreview.wordpress.com&amp;blog=8889023&amp;post=1051&amp;subd=wildgoosepoetryreview&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Shane Manier<br />
(SEE) SAW</p>
<p>People on the verge of suicide,<br />
for lack of a love life.<br />
Meanwhile,<br />
Women of the Congo are raped with knives.<br />
The survivors are treated as lepers to the men<br />
of their village. Their homes are lies.</p>
<p>People complain there is nothing to eat,<br />
tired of fast food and everything.</p>
<p>Meanwhile,<br />
In Africa children starve in the street.<br />
Swallowing flies every night in their sleep.<br />
Laying down with hunger pangs as their only feeling,<br />
their bellies don&#8217;t rumble more than their whole being.</p>
<p>People talk gossip, wish harm on once friends.</p>
<p>Meanwhile,<br />
Iraqi extremist kill 10.<br />
Someone&#8217;s father, someone&#8217;s brother, someone&#8217;s son.<br />
Bodies run like fishing lures, and on the other line of fire,<br />
a mother dies in a war not hers.</p>
<p>This world turns to feet that overtook ours with greed.<br />
This world only exists because there are people who believe.<br />
In good. In hope.<br />
There is blood in our tap water, there is blood underneath our feet.<br />
Metal coating trees, victims of siege.<br />
A monk poised at last resort &#8211; The Pope spoke a warning.<br />
Masks reveal snouts &#8211; watch as it flows out.<br />
Floods, glacier melt, drought.<br />
More than Global Warming, it&#8217;s a metaphor forming.</p>
<p>They said the sign of a rainbow means,<br />
that God would not flood the earth again&#8230;<br />
But if we are causing it&#8230;.what then?</p>
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		<title>Twenty Questions, by Devona Wyant</title>
		<link>http://wildgoosepoetryreview.wordpress.com/2011/11/10/twenty-questions-by-devona-wyant/</link>
		<comments>http://wildgoosepoetryreview.wordpress.com/2011/11/10/twenty-questions-by-devona-wyant/#comments</comments>
		<pubDate>Thu, 10 Nov 2011 01:42:36 +0000</pubDate>
		<dc:creator>wildgoosepoetryreview</dc:creator>
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		<description><![CDATA[Devona Wyant TWENTY QUESTIONS When did oil drilling become energy recovery? When did putting people before profits become distorting the market? When did the poor become economically disadvantaged? When did very low food security replace hunger? When did death become negative patient care outcome? When did hiding the truth become lack of transparency? When did [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=wildgoosepoetryreview.wordpress.com&amp;blog=8889023&amp;post=1049&amp;subd=wildgoosepoetryreview&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Devona Wyant<br />
TWENTY QUESTIONS</p>
<p>When did oil drilling become energy recovery?<br />
When did putting people before profits become distorting the market?<br />
When did the poor become economically disadvantaged?<br />
When did very low food security replace hunger?<br />
When did death become negative patient care outcome?<br />
When did hiding the truth become lack of transparency?<br />
When did denying your own words become “I may have misspoke”?<br />
When did truthiness become close enough?<br />
When did taxpayers replace citizens?<br />
When did mercenaries become security contractors?<br />
When did overthrowing a country become regime change?<br />
When did a prisoner of war become a detainee?<br />
When did torture become pain compliance?<br />
When did killing your own soldiers become friendly fire?<br />
When did killing civilians become collateral damage?<br />
When did massive bombing become shock and awe?<br />
When did genocide become ethnic cleansing?<br />
When did lies become spin?<br />
When did peace become pre-hostility?<br />
When did all of the above become acceptable?</p>
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